From one artist to another, I’m sure that’s the case. Bye Felicia Dragon Ball Goku And Piccolo Shirt. So I emulated that style heavily across all of my Dragonball drawings, even when DB kicked off. Many years later, I realized the series had stylistic differences, but I was paying far less attention to those character elements at that point. It probably looks “correct” to you to draw the features that way as it is what you’ve inherited from the style. Still awesome though! Certainly! I’ll admit I haven’t updated my portfolio online in a few years and am fairly out-of-practice with stylized character work (transitioned to more technique and realism-based illustration in college). But, I have a Behance. Not sure if it’s okay to post a link, but there it is lol.
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Because of my current job, almost all of my work from the past 4 years is owned by the company so it can’t be posted anywhere. I do mostly graphic design and illustration with some web stuff here. and Bye Felicia Dragon Ball Goku And Piccolo Shirt. You can definitely see progress! My early work was pure garbage, so don’t sweat the journey lol. I think the most important thing is having consistent line work. Think of it this way, you’ve naturally been taught the importance of line work through all of your natural motor skill development. That’s an element of your style that has been built since early childhood. It’s also the backbone of every single thing you make, so it’s your own personal guide for creative work.
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You’re not alone in the color/rendering issue and there’s a reason for that. It’s rare that you’d be taught color theory or color techniques. Unless you sought it out. As that’s something most people don’t need the skills for in everyday life. Bye Felicia Dragon Ball Goku And Piccolo Shirt. Because it all works so differently from what you’re raised on. Color wheels, natural color, tints and shades, triads, etc…. It can be a lot. The best advice is to practice shading and coloring on geometric shapes (sphere, cube, pyramid, etc). These are things that you already know dimensionally, so when you can apply the same concepts to foreign objects (like the body or organic shapes), they make sense in your brain. When you grasp those really well, you can start to cheat color and make it do things for you. There’s no “right way,” so it’s something you’ll discover as you try new things.
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